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the lady's sacvice & keyboard sonata #1

by sonja berlin-jones

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oh darlings you know I am always honest about how crap or un- my shit is - why not ? - it's not like I'm lonely - but this is a good one. Two very different pieces of music - both are my absolute favourite types of music - who else is going to do this stuff ? This is the revolution - the "music revolution" isn't about some irrelevant battle over copyright and piracy.

The revolution is about making the music you want to hear. And doing it so perfectly that in the end the only person who does want to hear it is yourself. It's so rare to find any musicians who'll keep it simple. I only find it in chamber music and back when minimal techno really was minimal. Both these tracks are adorable. I made them for myself.

I hope you like them too. No one will like the first track. But don't worry for me. I'll be all right. You see - the second track is one of the best things I have ever done. A completely noodly piece of noodling. And I was just lucky. That's all it ever is - luck. I really think it will live on like a thing by Bach or even Messiaen.

They should have asked me to do the soundtrack to the film The Piano. Or Chariots Of Fire. Or Grease. Or A Star Is Born. Or South Pacific. Carousel. The Sound Of Music. Camelot ... how to handle a woman, there's a way said the la di di da di dum dum people people who need people. Till soon.

STOP PRESS - I've just added a third track - a delightfully dour piece for electronic drone while I scrape a log of wood with some piano wire stretched along its length. On the screen, that description must look very enticing - I hope it lives up to expectations.


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released November 30, 2012

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sonja berlin-jones Southampton, UK

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